[AN OLDE FOCUS RELEASE] Period music ensemble ACRONYM features the quirky and unique "Alphabet" Sonatas by Polish born Johann Christoph Pezel, a composer who occupied a position of prominence in Leipzig in the late 17th century.
# | Audio | Title/Composer(s) | Time |
---|---|---|---|
Total Time | 136:58 | ||
01 | Sonata Abella in G | Sonata Abella in G | 5:17 |
02 | Sonata Baccha in d | Sonata Baccha in d | 7:05 |
03 | Sonata Cadmea in a | Sonata Cadmea in a | 4:34 |
04 | Sonata Dejanira in e | Sonata Dejanira in e | 4:42 |
05 | Sonata Ebura in B-flat | Sonata Ebura in B-flat | 4:47 |
06 | Sonata Fabaria in F | Sonata Fabaria in F | 4:20 |
07 | Sonata Gaba in C | Sonata Gaba in C | 7:06 |
08 | Sonata Hoemonia in g | Sonata Hoemonia in g | 5:34 |
09 | Sonata Ja in D | Sonata Ja in D | 4:18 |
10 | Sonata Kohlerina in A | Sonata Kohlerina in A | 4:17 |
11 | Sonata Laconia in E | Sonata Laconia in E | 4:14 |
12 | Sonata Macra in b | Sonata Macra in b | 5:33 |
13 | Sonata Nabathea in G | Sonata Nabathea in G | 6:07 |
14 | Sonata Octavia in d | Sonata Octavia in d | 5:17 |
15 | Sonata Padusa in a | Sonata Padusa in a | 5:34 |
16 | Sonata Quinquatria in e | Sonata Quinquatria in e | 5:04 |
17 | Sonata Rha in B-flat | Sonata Rha in B-flat | 5:21 |
18 | Sonata Sabaea in F | Sonata Sabaea in F | 6:18 |
19 | Sonata Tamara in C | Sonata Tamara in C | 4:37 |
20 | Sonata Vacuna in g | Sonata Vacuna in g | 6:38 |
21 | Sonata Wallona in D | Sonata Wallona in D | 5:07 |
22 | Sonata Xantippea in A | Sonata Xantippea in A | 4:48 |
23 | Sonata Yvana in E | Sonata Yvana in E | 5:19 |
24 | Sonata Zacchantea in b | Sonata Zacchantea in b | 5:11 |
25 | Sonata Ciacona in B-flat | Sonata Ciacona in B-flat | 9:50 |
Directed by founding ICE cellist Kivie Cahn-Lipman, ACRONYM (Abella Cadmea Rha Octavia Nabathea Yvana Macra) was formed in August, 2012, to make the present recording. The twelve-member string band is devoted to resurrecting music of the past, giving modern premieres of long-lost works by forgotten composers. Their second disc, instrumental sonatas by Antonio Bertali, can also be found on Olde Focus Recordings. Upcoming projects include concert tours of Pezel and Bertali, as well as the first recordings and modern performances of music by Samuel Capricornus, Johann Rosenmller, and more. Visit acronymensemble.com for more information.
Johann Christoph Pezel was born in what is now Poland, but spent much of his career in Leipzig, Germany, occupying various positions within the city's musical hierarchy. Pezel's Opus Musicum Sonatarum was published in Frankfurt in 1686, and he dedicated it to the councils of the “Hexapolis,” the six principal cities of Upper Lusatia (Bautzen, Gorlitz, Lauban, Kamenz, Lobau, and Zittau). Opus Musicum Sonatarum is a collection of twenty-five sonatas for two violins, three violas, bassoon or violone, and basso continuo.
The sonatas are organized by key; two sets of twelve sonatas each have key signatures in a sequence of ascending fifths starting from G (with a diminished fifth from E to B-flat to prevent travel to overly difficult keys). Perhaps the most idiosyncratic aspect of Opus Musicum Sonatarum is that each of the first twenty-four sonatas was given an alphabetical feminine name (e.g., Abella, Baccha, Cadmea . . . Xantippea, Yvana, Zacchantea). Many of these represent historical and mythological characters; for instance, Xantippea and Dejanira respectively were the wives of Socrates and Heracles.
Baroque string ensemble ACRONYM is dedicated to giving modern premieres of the wild instrumental music of the seventeenth century. The group formed in 2012 to create the first recording of the "Alphabet Sonatas" of Johann Pezel. ACRONYM's following disc, sonatas by Antonio Bertali, was released in 2014 to critical acclaim; Alex Ross selected it as a CD pick, and Early Music America Magazine wrote "the idiomatic performances and spacious recording by these young musicians are absolutely first rate. This is a disc ... belonging in everyone's collection." In 2015 ACRONYM released a third album—the first recordings of Giovanni Valentini's instrumental works—which was praised in Gramophone for being "played with expertise, enthusiasm, and an almost tactile sense of timbre." In 2016 ACRONYM released its fourth album: Wunderkammer. Upcoming projects include the first recording of Samuel Capricornus's monumental "Jubilus Bernhardi" with the Bach Choir of Holy Trinity Lutheran Church.
http://www.acronymensemble.comThis is a complete recording of the 25 sonatas in the Opus Musicum Sonatarum by Johann Christoph Pezel (1639-94). He was employed in Leipzig as a violinist and became a member of the Stadtpfeifer in 1664. That was the top wind band that would play daily from the city's tower at 10 AM and 6 PM. Large portions of the notes here are devoted to the politics of professional music making in Leipzig, which so deeply affected Pezel's career.
Aside from all of that, his music is gorgeous, and composed for a remarkably large ensemble consisting of 2 violins, 3 violas, bassoon or violone, and basso continuo. The sonatas are organized by key, ascending by fifths from G. They also have programmatic titles that proceed alphabetically from Abella to Zacchantea. Their musical character suggests some latent program, but it is unclear how the titles relate to the music -- they are all feminine nouns, derived from Greek mythology, Roman cities, and Roman festivals.
This is such compelling music -- full of affective variety and technical challenges for the players. They are multi-sectional sonatas, which means the players must change course "on the fly," sometimes radically, from one character to another. The result is very entertaining. Notes are in English.